This article analyses the formal properties of Reinaldo Arenas’s first two novels Celestino antes del alba (1967) and El mundo alucinante (1968) in light of his statement that all of his work is related to the Cuban Revolution, whether he wanted it to be or not. Drawing on other critics who have examined the parallels between Arenas’s persecution for his sexuality and his persecution as a writer, I look at how the formal innovations of these novels depend on the revolution. Unlike his subsequent novels, Celestino and El mundo were written before Arenas became a pariah and were intended for publication in Cuba. I argue therefore that although their engagement with the revolution is oppositional, Arenas is still able to ethically derive certain formal pleasures within this antagonistic power relation.
How to Cite:
Whitfield, J. “Forms of Dissidence: "Celestino Antes Del Alba" and "El Mundo Alucinante" by Reinaldo Arenas”. New Readings, vol. 17, no. 1, 2020, pp. 1–19. DOI: http://doi.org/10.18573/newreadings.111
Whitfield, Joey. “Forms of Dissidence: \"celestino Antes Del Alba\" and \"el Mundo Alucinante\" by Reinaldo Arenas”. New Readings 17, no. 1 (2020): 1–19. DOI: http://doi.org/10.18573/newreadings.111
Whitfield, J. “Forms of Dissidence: \"Celestino antes del alba\" and \"El mundo alucinante\" by Reinaldo Arenas”. New Readings, vol. 17, no. 1, 2020, pp. 1–9. DOI: http://doi.org/10.18573/newreadings.111